Trying to Relax

After the week I had last, I need some major decompression. I'm continuing my pursuit of zinchies and have done a couple extra already this week. Focusing on an inch at a time is a very mindful and relaxing method to regain my composure. It helps considering I'm looking at the wall where there used to be cabinets and currently are none. It's slow going. Sigh.

LG is, of course, to help honor St. Valentine's Day. (Adele Bruno's story about her pattern is very sweet. When I think LG, I think washer and dryer. Ms. Bruno thinks of her husband). I like hearts and flowers, but right now discussions on flooring and paint samples, floor plans and the like are as romantical as it gets (with a nod to Popeye and Olive Oyl). Oh, baby, baby!
BTW, if you tuned in last time, I was looking for a star pattern and I found "Bales" fits the bill, in an inside-out kind of way.

Onomato Pea Yeah!

This week has been one long, strange stream of consciousness. It's hard to jump in and find where it all started, but see if you can follow some of my reasoning.
I started the weekend working on Paizel. it's kind of a paisley pattern on Day 31 of my imprisonment...er, ah, of "One Zentangle a Day." I keep trying to get through that book! It is a fabulous reference on zentangly things, but I'd be broke if I tried all the different media. Thus, I'm trying to stick to the methods, not the materials. This is a square using "paizel:"

On one of the other days, the direction was to mix up the strings a little bit to bring fresh air to my style. I woke up that day telling myself that I hadn't used "Hollibaugh" in a while (ever have days like that?!), so I knew that was a prerequisite for that day's tangling. So I scribbled a string that had straight lines, sharp angles as well as curves and drew in the "hollibaugh" on some of the string lines. This is what I accomplished on Sunday:

I carried over the B'tweed from last week and got a very art deco feel for this one. I like how the "Onomato" gives the piece contrast and movement. I looked at it and thought that part looks like peas-in-a-pod, and then it hit me: onomato-pea-yah...ononmatopoeia. It was like I figured out a joke someone told me months ago and I finally got the punch line. [And THAT lent itself to my twinchie for "fire" as a VERB on yesterday's post]
Then I woke up Monday morning to the Diva Challenge for the week with guest artist Cris Letourneau. Her illustration of her tangle "Seton" had lots of onomato in peapods. (Another book I'm using for Zentangle, #9 by Suzanne McNeill has other patterns quite similar to Seton--Poin and Quartered). I immediately saw the pattern as a string (gotta bring some fresh air to my style!) and wanted a very high-contrast result. Since onomato gave me a lot of contrast, I was going for more.

That's how my teenie art brain traveled through the past week. WOW! What a ride! Now to get back to my regularly scheduled life. But before I do, I'll be checking out some of the great artwork in response to this week's Diva Challenge. You should too!